Three-Year Extension Continues Transformative Collaboration and Mentorship Across Genres at the Kennedy Center

National Symphony Orchestra to Release New Album Four Symphonic Works by Carlos Simon with First EP, Tales—A Folklore Symphony Available January 26

The John F. Kennedy Center for the Performing Arts President Deborah F. Rutter announces the extension of Composer-in-Residence Carlos Simon’s contract through the 2026–2027 season. Simon began his three-year residency at the Kennedy Center, the U.S. National Cultural Center, in the 2021–2022 season and in total, has had 19 of his works programmed including nine commissions across the many genres of the Kennedy Center, with more commissions to be announced. The extension acknowledges the contributions Simon has made to the Kennedy Center and music industry, and reaffirms the Center’s commitment to Simon’s creative endeavors.

Carlos Simon’s contract extension comes as the National Symphony Orchestra, under the direction of Music Director Gianandrea Noseda, announces the release of its next recording, an album of Four Symphonic Works by Carlos Simon recorded live and released on the NSO’s label. The album will include Tales—A Folklore Symphony, The Block, Songs of Separation, and Wake Up! Concerto for Orchestra. The first EP, Tales—A Folklore Symphony, will be available January 26.  

“When Carlos Simon joined the Kennedy Center, he had big ambition, insatiable curiosity, and a voracious hunger to write music across disciplines, making him a perfect fit for this position,” said Kennedy Center President Deborah Rutter. “It has been a great joy for all of us at the Kennedy Center to collaborate with Carlos and share in his artistic triumphs both here and on stages around the world. We are proud to give artists, especially artists like Carlos—whose works reflect the most salient issues of our time—a platform to share their voices. If you know Carlos, you know he is a prolific composer, and it became clear to us that Carlos had much more to say here in the Nation’s capital. He wasn’t done yet and we can’t wait to hear what’s next.”  

“My time here at the Kennedy Center has been amazing. It’s been rewarding creating many new works in partnership with the National Symphony Orchestra, Washington National Opera, and the many other art forms here. I’m looking forward to the next three years of creating and working with so many accomplished musicians and artists. I am grateful that I continue to be supported in my growth in my career and in my artistic expression.”  

-Carlos Simon

Social Impact Work at the Kennedy Center
Vice President and Artistic Director of Social Impact, Marc Bamuthi Joseph: “Carlos and I graduated from Morehouse College 10 years apart, and our creative partnership feels like an extension of the brotherhood, aspiration, and moral urgency that is culturally imbued at the alma mater we share with Dr. King. Each of our collaborations speaks to the inherent possibilities of the classical idiom to engage fully with the social contract. As Vice President of Social Impact here, it thrills me that the Kennedy Center is clearly aware of Carlos' exceptional talent, but also attuned to his ethical sensibilities, and looks to facilitate both his prodigious musical capacity as well as his composition of an equitable future.”  

In addition to numerous compositions presented by the Kennedy Center, Carlos Simon is deeply involved in the Center’s Social Impact work, an initiative that advances justice and equity within society through the arts. Together with Kennedy Center Vice President and Artistic Director of Social Impact Marc Bamuthi Joseph, Simon composed the opera it all falls down as part of Written in Stone—a project commemorating the Kennedy Center’s 50th anniversary—for Washington National Opera. He also composed The Road Ahead, as part of the Kennedy Center’s inaugural Cartography Project, commissioned by the Kennedy Center and the Washington National Opera. The project focused on the concept of “Black Dignity” and created a musical map of incidents of extrajudicial violence. Simon also mentors composers whose works answer the question “What are we doing to shape the Black lives of tomorrow?” as part of the second iteration of the Cartography Project.  

Washington National Opera
Washington National Opera General Director, Timothy O’Leary said, “Washington National Opera is proud that Carlos Simon’s first full-scale project at the Kennedy Center was part of our American Opera Initiative in 2020, which was just the beginning of Carlos’ prolific career here. Since that first commission, WNO Artistic Director Francesca Zambello and Carlos have had a productive partnership that resulted in the universally acclaimed production of it all falls down and other works that confront the most important topics of today—as opera must do. WNO is thrilled that Carlos will be with us for another three years and we look forward to the projects we have planned in future seasons.”  

Carlos Simon came to the attention of Washington National Opera though its prestigious annual American Opera Initiative (AOI). This program commissions and mentors three American composer-librettist teams, culminating in staged performances of their 20-minute operas. Selected for AOI in 2019, Simon’s first commissioned work at the Kennedy Center was Night Trip with librettist Sandra Seaton. Following the success of Night Trip, WNO Artistic Director Francesca Zambello commissioned Simon and Seaton to write a chamber opera for the Glimmerglass Festival, The Passion of Mary Cardwell Dawson, which the WNO performed in 2023 starring Denyce Graves. Furthermore, WNO commissioned Simon and Kennedy Center inaugural Education Artist-in-Residence Mo Willems to write an opera for families, Slopera! A Bite-Sized Opera, which was performed during the pandemic. Upon that success, the pair was also commissioned to write a second family opera, Don’t Let the Pigeon Sing Up Late!. WNO also commissioned Simon’s it all falls down and The Road Ahead as part of Written in Stone and the Cartography Project, respectively.  

National Symphony Orchestra
“Carlos has been a member of the NSO family from the beginning of his residency. He joins us on tour this February as we give the European premiere performances of his new work that the NSO has co-commissioned, Wake Up! Concerto for Orchestra. As the Kennedy Center’s Composer-in-Residence, Carlos has contributed to the NSO’s vitality over the last three seasons—and we have more of Carlos’ works to present next season,” said Jean Davidson, National Symphony Orchestra Executive Director. “We also have a lot to celebrate with the new album of four of Carlos’ symphonic works that we’ll be adding to the NSO’s recording legacy.”  

Carlos Simon’s relationship with the National Symphony Orchestra began in 2019 when he arranged charts for the orchestra’s Pops concerts. The NSO recorded a concert of Simon’s works for the Center’s Digital Stage+ platform and performed his Tales—A Folklore Symphony, The Block, This Land, and others in its subscription concerts and as part of NSO community outreach performances. The NSO commissioned Simon’s Songs of Separation, which it performed with mezzo-soprano J’Nai Bridges, broadcast live from the Concert Hall on Medici.tv in the 2022–2023 season. The NSO will perform Simon’s next orchestral commission, Wake Up! Concerto for Orchestra, at the Kennedy Center on January 25–27, 2024. The NSO will also present this work on its 2024 Europe Tour in February. Simon will join the Orchestra on tour in Berlin, Milan, and Madrid for the European premiere performances. In addition to his compositions, Simon has also mentored students in the National Symphony Orchestra’s annual Summer Music Institute—a summer training program for high school and college instrumentalists across the country interested in pursuing a career as a professional musician.

Recording Release Schedule
National Symphony Orchestra will release four of Carlos Simon’s orchestral works, all recorded live in concert in the Kennedy Center Concert Hall with the NSO and led by Music Director Gianandrea Noseda. This is the first full-length record of Simon’s orchestral works. The release schedule is as follows:  
Tales—A Folklore Symphony: digital release on January 26, pre-order on January 5  
The Block: digital release on March 8  
Songs of Separation: digital release on May 31, pre-order on May 17  
Wake Up! Concerto for Orchestra: digital release in early fall 2024

Four Symphonic Works continues the legacy of the NSO’s rich recording history, which began in the 1940s.  

Other Artistic Highlights
• Simon wrote the theme music for the Kennedy Center Honors (2022 and 2023) and the Kennedy Center’s series on PBS, NEXT at the Kennedy Center.  
• Simon composed music for a new dance, From Other Suns, featuring 11 black dancers from historically white ballet companies as part of the Kennedy Center’s Reframing the Narrative.

Three-Year Extension Continues Transformative Collaboration and Mentorship Across Genres at the Kennedy Center

National Symphony Orchestra to Release New Album Four Symphonic Works by Carlos Simon with First EP, Tales—A Folklore Symphony Available January 26

The John F. Kennedy Center for the Performing Arts President Deborah F. Rutter announces the extension of Composer-in-Residence Carlos Simon’s contract through the 2026–2027 season. Simon began his three-year residency at the Kennedy Center, the U.S. National Cultural Center, in the 2021–2022 season and in total, has had 19 of his works programmed including nine commissions across the many genres of the Kennedy Center, with more commissions to be announced. The extension acknowledges the contributions Simon has made to the Kennedy Center and music industry, and reaffirms the Center’s commitment to Simon’s creative endeavors.

Carlos Simon’s contract extension comes as the National Symphony Orchestra, under the direction of Music Director Gianandrea Noseda, announces the release of its next recording, an album of Four Symphonic Works by Carlos Simon recorded live and released on the NSO’s label. The album will include Tales—A Folklore Symphony, The Block, Songs of Separation, and Wake Up! Concerto for Orchestra. The first EP, Tales—A Folklore Symphony, will be available January 26.  

“When Carlos Simon joined the Kennedy Center, he had big ambition, insatiable curiosity, and a voracious hunger to write music across disciplines, making him a perfect fit for this position,” said Kennedy Center President Deborah Rutter. “It has been a great joy for all of us at the Kennedy Center to collaborate with Carlos and share in his artistic triumphs both here and on stages around the world. We are proud to give artists, especially artists like Carlos—whose works reflect the most salient issues of our time—a platform to share their voices. If you know Carlos, you know he is a prolific composer, and it became clear to us that Carlos had much more to say here in the Nation’s capital. He wasn’t done yet and we can’t wait to hear what’s next.”  

“My time here at the Kennedy Center has been amazing. It’s been rewarding creating many new works in partnership with the National Symphony Orchestra, Washington National Opera, and the many other art forms here. I’m looking forward to the next three years of creating and working with so many accomplished musicians and artists. I am grateful that I continue to be supported in my growth in my career and in my artistic expression.”  

-Carlos Simon

Social Impact Work at the Kennedy Center
Vice President and Artistic Director of Social Impact, Marc Bamuthi Joseph: “Carlos and I graduated from Morehouse College 10 years apart, and our creative partnership feels like an extension of the brotherhood, aspiration, and moral urgency that is culturally imbued at the alma mater we share with Dr. King. Each of our collaborations speaks to the inherent possibilities of the classical idiom to engage fully with the social contract. As Vice President of Social Impact here, it thrills me that the Kennedy Center is clearly aware of Carlos' exceptional talent, but also attuned to his ethical sensibilities, and looks to facilitate both his prodigious musical capacity as well as his composition of an equitable future.”  

In addition to numerous compositions presented by the Kennedy Center, Carlos Simon is deeply involved in the Center’s Social Impact work, an initiative that advances justice and equity within society through the arts. Together with Kennedy Center Vice President and Artistic Director of Social Impact Marc Bamuthi Joseph, Simon composed the opera it all falls down as part of Written in Stone—a project commemorating the Kennedy Center’s 50th anniversary—for Washington National Opera. He also composed The Road Ahead, as part of the Kennedy Center’s inaugural Cartography Project, commissioned by the Kennedy Center and the Washington National Opera. The project focused on the concept of “Black Dignity” and created a musical map of incidents of extrajudicial violence. Simon also mentors composers whose works answer the question “What are we doing to shape the Black lives of tomorrow?” as part of the second iteration of the Cartography Project.  

Washington National Opera
Washington National Opera General Director, Timothy O’Leary said, “Washington National Opera is proud that Carlos Simon’s first full-scale project at the Kennedy Center was part of our American Opera Initiative in 2020, which was just the beginning of Carlos’ prolific career here. Since that first commission, WNO Artistic Director Francesca Zambello and Carlos have had a productive partnership that resulted in the universally acclaimed production of it all falls down and other works that confront the most important topics of today—as opera must do. WNO is thrilled that Carlos will be with us for another three years and we look forward to the projects we have planned in future seasons.”  

Carlos Simon came to the attention of Washington National Opera though its prestigious annual American Opera Initiative (AOI). This program commissions and mentors three American composer-librettist teams, culminating in staged performances of their 20-minute operas. Selected for AOI in 2019, Simon’s first commissioned work at the Kennedy Center was Night Trip with librettist Sandra Seaton. Following the success of Night Trip, WNO Artistic Director Francesca Zambello commissioned Simon and Seaton to write a chamber opera for the Glimmerglass Festival, The Passion of Mary Cardwell Dawson, which the WNO performed in 2023 starring Denyce Graves. Furthermore, WNO commissioned Simon and Kennedy Center inaugural Education Artist-in-Residence Mo Willems to write an opera for families, Slopera! A Bite-Sized Opera, which was performed during the pandemic. Upon that success, the pair was also commissioned to write a second family opera, Don’t Let the Pigeon Sing Up Late!. WNO also commissioned Simon’s it all falls down and The Road Ahead as part of Written in Stone and the Cartography Project, respectively.  

National Symphony Orchestra
“Carlos has been a member of the NSO family from the beginning of his residency. He joins us on tour this February as we give the European premiere performances of his new work that the NSO has co-commissioned, Wake Up! Concerto for Orchestra. As the Kennedy Center’s Composer-in-Residence, Carlos has contributed to the NSO’s vitality over the last three seasons—and we have more of Carlos’ works to present next season,” said Jean Davidson, National Symphony Orchestra Executive Director. “We also have a lot to celebrate with the new album of four of Carlos’ symphonic works that we’ll be adding to the NSO’s recording legacy.”  

Carlos Simon’s relationship with the National Symphony Orchestra began in 2019 when he arranged charts for the orchestra’s Pops concerts. The NSO recorded a concert of Simon’s works for the Center’s Digital Stage+ platform and performed his Tales—A Folklore Symphony, The Block, This Land, and others in its subscription concerts and as part of NSO community outreach performances. The NSO commissioned Simon’s Songs of Separation, which it performed with mezzo-soprano J’Nai Bridges, broadcast live from the Concert Hall on Medici.tv in the 2022–2023 season. The NSO will perform Simon’s next orchestral commission, Wake Up! Concerto for Orchestra, at the Kennedy Center on January 25–27, 2024. The NSO will also present this work on its 2024 Europe Tour in February. Simon will join the Orchestra on tour in Berlin, Milan, and Madrid for the European premiere performances. In addition to his compositions, Simon has also mentored students in the National Symphony Orchestra’s annual Summer Music Institute—a summer training program for high school and college instrumentalists across the country interested in pursuing a career as a professional musician.

Recording Release Schedule
National Symphony Orchestra will release four of Carlos Simon’s orchestral works, all recorded live in concert in the Kennedy Center Concert Hall with the NSO and led by Music Director Gianandrea Noseda. This is the first full-length record of Simon’s orchestral works. The release schedule is as follows:  
Tales—A Folklore Symphony: digital release on January 26, pre-order on January 5  
The Block: digital release on March 8  
Songs of Separation: digital release on May 31, pre-order on May 17  
Wake Up! Concerto for Orchestra: digital release in early fall 2024

Four Symphonic Works continues the legacy of the NSO’s rich recording history, which began in the 1940s.  

Other Artistic Highlights
• Simon wrote the theme music for the Kennedy Center Honors (2022 and 2023) and the Kennedy Center’s series on PBS, NEXT at the Kennedy Center.  
• Simon composed music for a new dance, From Other Suns, featuring 11 black dancers from historically white ballet companies as part of the Kennedy Center’s Reframing the Narrative.

Three-Year Extension Continues Transformative Collaboration and Mentorship Across Genres at the Kennedy Center

National Symphony Orchestra to Release New Album Four Symphonic Works by Carlos Simon with First EP, Tales—A Folklore Symphony Available January 26

The John F. Kennedy Center for the Performing Arts President Deborah F. Rutter announces the extension of Composer-in-Residence Carlos Simon’s contract through the 2026–2027 season. Simon began his three-year residency at the Kennedy Center, the U.S. National Cultural Center, in the 2021–2022 season and in total, has had 19 of his works programmed including nine commissions across the many genres of the Kennedy Center, with more commissions to be announced. The extension acknowledges the contributions Simon has made to the Kennedy Center and music industry, and reaffirms the Center’s commitment to Simon’s creative endeavors.

Carlos Simon’s contract extension comes as the National Symphony Orchestra, under the direction of Music Director Gianandrea Noseda, announces the release of its next recording, an album of Four Symphonic Works by Carlos Simon recorded live and released on the NSO’s label. The album will include Tales—A Folklore Symphony, The Block, Songs of Separation, and Wake Up! Concerto for Orchestra. The first EP, Tales—A Folklore Symphony, will be available January 26.  

“When Carlos Simon joined the Kennedy Center, he had big ambition, insatiable curiosity, and a voracious hunger to write music across disciplines, making him a perfect fit for this position,” said Kennedy Center President Deborah Rutter. “It has been a great joy for all of us at the Kennedy Center to collaborate with Carlos and share in his artistic triumphs both here and on stages around the world. We are proud to give artists, especially artists like Carlos—whose works reflect the most salient issues of our time—a platform to share their voices. If you know Carlos, you know he is a prolific composer, and it became clear to us that Carlos had much more to say here in the Nation’s capital. He wasn’t done yet and we can’t wait to hear what’s next.”  

“My time here at the Kennedy Center has been amazing. It’s been rewarding creating many new works in partnership with the National Symphony Orchestra, Washington National Opera, and the many other art forms here. I’m looking forward to the next three years of creating and working with so many accomplished musicians and artists. I am grateful that I continue to be supported in my growth in my career and in my artistic expression.”  

-Carlos Simon

Social Impact Work at the Kennedy Center
Vice President and Artistic Director of Social Impact, Marc Bamuthi Joseph: “Carlos and I graduated from Morehouse College 10 years apart, and our creative partnership feels like an extension of the brotherhood, aspiration, and moral urgency that is culturally imbued at the alma mater we share with Dr. King. Each of our collaborations speaks to the inherent possibilities of the classical idiom to engage fully with the social contract. As Vice President of Social Impact here, it thrills me that the Kennedy Center is clearly aware of Carlos' exceptional talent, but also attuned to his ethical sensibilities, and looks to facilitate both his prodigious musical capacity as well as his composition of an equitable future.”  

In addition to numerous compositions presented by the Kennedy Center, Carlos Simon is deeply involved in the Center’s Social Impact work, an initiative that advances justice and equity within society through the arts. Together with Kennedy Center Vice President and Artistic Director of Social Impact Marc Bamuthi Joseph, Simon composed the opera it all falls down as part of Written in Stone—a project commemorating the Kennedy Center’s 50th anniversary—for Washington National Opera. He also composed The Road Ahead, as part of the Kennedy Center’s inaugural Cartography Project, commissioned by the Kennedy Center and the Washington National Opera. The project focused on the concept of “Black Dignity” and created a musical map of incidents of extrajudicial violence. Simon also mentors composers whose works answer the question “What are we doing to shape the Black lives of tomorrow?” as part of the second iteration of the Cartography Project.  

Washington National Opera
Washington National Opera General Director, Timothy O’Leary said, “Washington National Opera is proud that Carlos Simon’s first full-scale project at the Kennedy Center was part of our American Opera Initiative in 2020, which was just the beginning of Carlos’ prolific career here. Since that first commission, WNO Artistic Director Francesca Zambello and Carlos have had a productive partnership that resulted in the universally acclaimed production of it all falls down and other works that confront the most important topics of today—as opera must do. WNO is thrilled that Carlos will be with us for another three years and we look forward to the projects we have planned in future seasons.”  

Carlos Simon came to the attention of Washington National Opera though its prestigious annual American Opera Initiative (AOI). This program commissions and mentors three American composer-librettist teams, culminating in staged performances of their 20-minute operas. Selected for AOI in 2019, Simon’s first commissioned work at the Kennedy Center was Night Trip with librettist Sandra Seaton. Following the success of Night Trip, WNO Artistic Director Francesca Zambello commissioned Simon and Seaton to write a chamber opera for the Glimmerglass Festival, The Passion of Mary Cardwell Dawson, which the WNO performed in 2023 starring Denyce Graves. Furthermore, WNO commissioned Simon and Kennedy Center inaugural Education Artist-in-Residence Mo Willems to write an opera for families, Slopera! A Bite-Sized Opera, which was performed during the pandemic. Upon that success, the pair was also commissioned to write a second family opera, Don’t Let the Pigeon Sing Up Late!. WNO also commissioned Simon’s it all falls down and The Road Ahead as part of Written in Stone and the Cartography Project, respectively.  

National Symphony Orchestra
“Carlos has been a member of the NSO family from the beginning of his residency. He joins us on tour this February as we give the European premiere performances of his new work that the NSO has co-commissioned, Wake Up! Concerto for Orchestra. As the Kennedy Center’s Composer-in-Residence, Carlos has contributed to the NSO’s vitality over the last three seasons—and we have more of Carlos’ works to present next season,” said Jean Davidson, National Symphony Orchestra Executive Director. “We also have a lot to celebrate with the new album of four of Carlos’ symphonic works that we’ll be adding to the NSO’s recording legacy.”  

Carlos Simon’s relationship with the National Symphony Orchestra began in 2019 when he arranged charts for the orchestra’s Pops concerts. The NSO recorded a concert of Simon’s works for the Center’s Digital Stage+ platform and performed his Tales—A Folklore Symphony, The Block, This Land, and others in its subscription concerts and as part of NSO community outreach performances. The NSO commissioned Simon’s Songs of Separation, which it performed with mezzo-soprano J’Nai Bridges, broadcast live from the Concert Hall on Medici.tv in the 2022–2023 season. The NSO will perform Simon’s next orchestral commission, Wake Up! Concerto for Orchestra, at the Kennedy Center on January 25–27, 2024. The NSO will also present this work on its 2024 Europe Tour in February. Simon will join the Orchestra on tour in Berlin, Milan, and Madrid for the European premiere performances. In addition to his compositions, Simon has also mentored students in the National Symphony Orchestra’s annual Summer Music Institute—a summer training program for high school and college instrumentalists across the country interested in pursuing a career as a professional musician.

Recording Release Schedule
National Symphony Orchestra will release four of Carlos Simon’s orchestral works, all recorded live in concert in the Kennedy Center Concert Hall with the NSO and led by Music Director Gianandrea Noseda. This is the first full-length record of Simon’s orchestral works. The release schedule is as follows:  
Tales—A Folklore Symphony: digital release on January 26, pre-order on January 5  
The Block: digital release on March 8  
Songs of Separation: digital release on May 31, pre-order on May 17  
Wake Up! Concerto for Orchestra: digital release in early fall 2024

Four Symphonic Works continues the legacy of the NSO’s rich recording history, which began in the 1940s.  

Other Artistic Highlights
• Simon wrote the theme music for the Kennedy Center Honors (2022 and 2023) and the Kennedy Center’s series on PBS, NEXT at the Kennedy Center.  
• Simon composed music for a new dance, From Other Suns, featuring 11 black dancers from historically white ballet companies as part of the Kennedy Center’s Reframing the Narrative.

Three-Year Extension Continues Transformative Collaboration and Mentorship Across Genres at the Kennedy Center

National Symphony Orchestra to Release New Album Four Symphonic Works by Carlos Simon with First EP, Tales—A Folklore Symphony Available January 26

The John F. Kennedy Center for the Performing Arts President Deborah F. Rutter announces the extension of Composer-in-Residence Carlos Simon’s contract through the 2026–2027 season. Simon began his three-year residency at the Kennedy Center, the U.S. National Cultural Center, in the 2021–2022 season and in total, has had 19 of his works programmed including nine commissions across the many genres of the Kennedy Center, with more commissions to be announced. The extension acknowledges the contributions Simon has made to the Kennedy Center and music industry, and reaffirms the Center’s commitment to Simon’s creative endeavors.

Carlos Simon’s contract extension comes as the National Symphony Orchestra, under the direction of Music Director Gianandrea Noseda, announces the release of its next recording, an album of Four Symphonic Works by Carlos Simon recorded live and released on the NSO’s label. The album will include Tales—A Folklore Symphony, The Block, Songs of Separation, and Wake Up! Concerto for Orchestra. The first EP, Tales—A Folklore Symphony, will be available January 26.  

“When Carlos Simon joined the Kennedy Center, he had big ambition, insatiable curiosity, and a voracious hunger to write music across disciplines, making him a perfect fit for this position,” said Kennedy Center President Deborah Rutter. “It has been a great joy for all of us at the Kennedy Center to collaborate with Carlos and share in his artistic triumphs both here and on stages around the world. We are proud to give artists, especially artists like Carlos—whose works reflect the most salient issues of our time—a platform to share their voices. If you know Carlos, you know he is a prolific composer, and it became clear to us that Carlos had much more to say here in the Nation’s capital. He wasn’t done yet and we can’t wait to hear what’s next.”  

“My time here at the Kennedy Center has been amazing. It’s been rewarding creating many new works in partnership with the National Symphony Orchestra, Washington National Opera, and the many other art forms here. I’m looking forward to the next three years of creating and working with so many accomplished musicians and artists. I am grateful that I continue to be supported in my growth in my career and in my artistic expression.”  

-Carlos Simon

Social Impact Work at the Kennedy Center
Vice President and Artistic Director of Social Impact, Marc Bamuthi Joseph: “Carlos and I graduated from Morehouse College 10 years apart, and our creative partnership feels like an extension of the brotherhood, aspiration, and moral urgency that is culturally imbued at the alma mater we share with Dr. King. Each of our collaborations speaks to the inherent possibilities of the classical idiom to engage fully with the social contract. As Vice President of Social Impact here, it thrills me that the Kennedy Center is clearly aware of Carlos' exceptional talent, but also attuned to his ethical sensibilities, and looks to facilitate both his prodigious musical capacity as well as his composition of an equitable future.”  

In addition to numerous compositions presented by the Kennedy Center, Carlos Simon is deeply involved in the Center’s Social Impact work, an initiative that advances justice and equity within society through the arts. Together with Kennedy Center Vice President and Artistic Director of Social Impact Marc Bamuthi Joseph, Simon composed the opera it all falls down as part of Written in Stone—a project commemorating the Kennedy Center’s 50th anniversary—for Washington National Opera. He also composed The Road Ahead, as part of the Kennedy Center’s inaugural Cartography Project, commissioned by the Kennedy Center and the Washington National Opera. The project focused on the concept of “Black Dignity” and created a musical map of incidents of extrajudicial violence. Simon also mentors composers whose works answer the question “What are we doing to shape the Black lives of tomorrow?” as part of the second iteration of the Cartography Project.  

Washington National Opera
Washington National Opera General Director, Timothy O’Leary said, “Washington National Opera is proud that Carlos Simon’s first full-scale project at the Kennedy Center was part of our American Opera Initiative in 2020, which was just the beginning of Carlos’ prolific career here. Since that first commission, WNO Artistic Director Francesca Zambello and Carlos have had a productive partnership that resulted in the universally acclaimed production of it all falls down and other works that confront the most important topics of today—as opera must do. WNO is thrilled that Carlos will be with us for another three years and we look forward to the projects we have planned in future seasons.”  

Carlos Simon came to the attention of Washington National Opera though its prestigious annual American Opera Initiative (AOI). This program commissions and mentors three American composer-librettist teams, culminating in staged performances of their 20-minute operas. Selected for AOI in 2019, Simon’s first commissioned work at the Kennedy Center was Night Trip with librettist Sandra Seaton. Following the success of Night Trip, WNO Artistic Director Francesca Zambello commissioned Simon and Seaton to write a chamber opera for the Glimmerglass Festival, The Passion of Mary Cardwell Dawson, which the WNO performed in 2023 starring Denyce Graves. Furthermore, WNO commissioned Simon and Kennedy Center inaugural Education Artist-in-Residence Mo Willems to write an opera for families, Slopera! A Bite-Sized Opera, which was performed during the pandemic. Upon that success, the pair was also commissioned to write a second family opera, Don’t Let the Pigeon Sing Up Late!. WNO also commissioned Simon’s it all falls down and The Road Ahead as part of Written in Stone and the Cartography Project, respectively.  

National Symphony Orchestra
“Carlos has been a member of the NSO family from the beginning of his residency. He joins us on tour this February as we give the European premiere performances of his new work that the NSO has co-commissioned, Wake Up! Concerto for Orchestra. As the Kennedy Center’s Composer-in-Residence, Carlos has contributed to the NSO’s vitality over the last three seasons—and we have more of Carlos’ works to present next season,” said Jean Davidson, National Symphony Orchestra Executive Director. “We also have a lot to celebrate with the new album of four of Carlos’ symphonic works that we’ll be adding to the NSO’s recording legacy.”  

Carlos Simon’s relationship with the National Symphony Orchestra began in 2019 when he arranged charts for the orchestra’s Pops concerts. The NSO recorded a concert of Simon’s works for the Center’s Digital Stage+ platform and performed his Tales—A Folklore Symphony, The Block, This Land, and others in its subscription concerts and as part of NSO community outreach performances. The NSO commissioned Simon’s Songs of Separation, which it performed with mezzo-soprano J’Nai Bridges, broadcast live from the Concert Hall on Medici.tv in the 2022–2023 season. The NSO will perform Simon’s next orchestral commission, Wake Up! Concerto for Orchestra, at the Kennedy Center on January 25–27, 2024. The NSO will also present this work on its 2024 Europe Tour in February. Simon will join the Orchestra on tour in Berlin, Milan, and Madrid for the European premiere performances. In addition to his compositions, Simon has also mentored students in the National Symphony Orchestra’s annual Summer Music Institute—a summer training program for high school and college instrumentalists across the country interested in pursuing a career as a professional musician.

Recording Release Schedule
National Symphony Orchestra will release four of Carlos Simon’s orchestral works, all recorded live in concert in the Kennedy Center Concert Hall with the NSO and led by Music Director Gianandrea Noseda. This is the first full-length record of Simon’s orchestral works. The release schedule is as follows:  
Tales—A Folklore Symphony: digital release on January 26, pre-order on January 5  
The Block: digital release on March 8  
Songs of Separation: digital release on May 31, pre-order on May 17  
Wake Up! Concerto for Orchestra: digital release in early fall 2024

Four Symphonic Works continues the legacy of the NSO’s rich recording history, which began in the 1940s.  

Other Artistic Highlights
• Simon wrote the theme music for the Kennedy Center Honors (2022 and 2023) and the Kennedy Center’s series on PBS, NEXT at the Kennedy Center.  
• Simon composed music for a new dance, From Other Suns, featuring 11 black dancers from historically white ballet companies as part of the Kennedy Center’s Reframing the Narrative.

Three-Year Extension Continues Transformative Collaboration and Mentorship Across Genres at the Kennedy Center

National Symphony Orchestra to Release New Album Four Symphonic Works by Carlos Simon with First EP, Tales—A Folklore Symphony Available January 26

The John F. Kennedy Center for the Performing Arts President Deborah F. Rutter announces the extension of Composer-in-Residence Carlos Simon’s contract through the 2026–2027 season. Simon began his three-year residency at the Kennedy Center, the U.S. National Cultural Center, in the 2021–2022 season and in total, has had 19 of his works programmed including nine commissions across the many genres of the Kennedy Center, with more commissions to be announced. The extension acknowledges the contributions Simon has made to the Kennedy Center and music industry, and reaffirms the Center’s commitment to Simon’s creative endeavors.

Carlos Simon’s contract extension comes as the National Symphony Orchestra, under the direction of Music Director Gianandrea Noseda, announces the release of its next recording, an album of Four Symphonic Works by Carlos Simon recorded live and released on the NSO’s label. The album will include Tales—A Folklore Symphony, The Block, Songs of Separation, and Wake Up! Concerto for Orchestra. The first EP, Tales—A Folklore Symphony, will be available January 26.  

“When Carlos Simon joined the Kennedy Center, he had big ambition, insatiable curiosity, and a voracious hunger to write music across disciplines, making him a perfect fit for this position,” said Kennedy Center President Deborah Rutter. “It has been a great joy for all of us at the Kennedy Center to collaborate with Carlos and share in his artistic triumphs both here and on stages around the world. We are proud to give artists, especially artists like Carlos—whose works reflect the most salient issues of our time—a platform to share their voices. If you know Carlos, you know he is a prolific composer, and it became clear to us that Carlos had much more to say here in the Nation’s capital. He wasn’t done yet and we can’t wait to hear what’s next.”  

“My time here at the Kennedy Center has been amazing. It’s been rewarding creating many new works in partnership with the National Symphony Orchestra, Washington National Opera, and the many other art forms here. I’m looking forward to the next three years of creating and working with so many accomplished musicians and artists. I am grateful that I continue to be supported in my growth in my career and in my artistic expression.”  

-Carlos Simon

Social Impact Work at the Kennedy Center
Vice President and Artistic Director of Social Impact, Marc Bamuthi Joseph: “Carlos and I graduated from Morehouse College 10 years apart, and our creative partnership feels like an extension of the brotherhood, aspiration, and moral urgency that is culturally imbued at the alma mater we share with Dr. King. Each of our collaborations speaks to the inherent possibilities of the classical idiom to engage fully with the social contract. As Vice President of Social Impact here, it thrills me that the Kennedy Center is clearly aware of Carlos' exceptional talent, but also attuned to his ethical sensibilities, and looks to facilitate both his prodigious musical capacity as well as his composition of an equitable future.”  

In addition to numerous compositions presented by the Kennedy Center, Carlos Simon is deeply involved in the Center’s Social Impact work, an initiative that advances justice and equity within society through the arts. Together with Kennedy Center Vice President and Artistic Director of Social Impact Marc Bamuthi Joseph, Simon composed the opera it all falls down as part of Written in Stone—a project commemorating the Kennedy Center’s 50th anniversary—for Washington National Opera. He also composed The Road Ahead, as part of the Kennedy Center’s inaugural Cartography Project, commissioned by the Kennedy Center and the Washington National Opera. The project focused on the concept of “Black Dignity” and created a musical map of incidents of extrajudicial violence. Simon also mentors composers whose works answer the question “What are we doing to shape the Black lives of tomorrow?” as part of the second iteration of the Cartography Project.  

Washington National Opera
Washington National Opera General Director, Timothy O’Leary said, “Washington National Opera is proud that Carlos Simon’s first full-scale project at the Kennedy Center was part of our American Opera Initiative in 2020, which was just the beginning of Carlos’ prolific career here. Since that first commission, WNO Artistic Director Francesca Zambello and Carlos have had a productive partnership that resulted in the universally acclaimed production of it all falls down and other works that confront the most important topics of today—as opera must do. WNO is thrilled that Carlos will be with us for another three years and we look forward to the projects we have planned in future seasons.”  

Carlos Simon came to the attention of Washington National Opera though its prestigious annual American Opera Initiative (AOI). This program commissions and mentors three American composer-librettist teams, culminating in staged performances of their 20-minute operas. Selected for AOI in 2019, Simon’s first commissioned work at the Kennedy Center was Night Trip with librettist Sandra Seaton. Following the success of Night Trip, WNO Artistic Director Francesca Zambello commissioned Simon and Seaton to write a chamber opera for the Glimmerglass Festival, The Passion of Mary Cardwell Dawson, which the WNO performed in 2023 starring Denyce Graves. Furthermore, WNO commissioned Simon and Kennedy Center inaugural Education Artist-in-Residence Mo Willems to write an opera for families, Slopera! A Bite-Sized Opera, which was performed during the pandemic. Upon that success, the pair was also commissioned to write a second family opera, Don’t Let the Pigeon Sing Up Late!. WNO also commissioned Simon’s it all falls down and The Road Ahead as part of Written in Stone and the Cartography Project, respectively.  

National Symphony Orchestra
“Carlos has been a member of the NSO family from the beginning of his residency. He joins us on tour this February as we give the European premiere performances of his new work that the NSO has co-commissioned, Wake Up! Concerto for Orchestra. As the Kennedy Center’s Composer-in-Residence, Carlos has contributed to the NSO’s vitality over the last three seasons—and we have more of Carlos’ works to present next season,” said Jean Davidson, National Symphony Orchestra Executive Director. “We also have a lot to celebrate with the new album of four of Carlos’ symphonic works that we’ll be adding to the NSO’s recording legacy.”  

Carlos Simon’s relationship with the National Symphony Orchestra began in 2019 when he arranged charts for the orchestra’s Pops concerts. The NSO recorded a concert of Simon’s works for the Center’s Digital Stage+ platform and performed his Tales—A Folklore Symphony, The Block, This Land, and others in its subscription concerts and as part of NSO community outreach performances. The NSO commissioned Simon’s Songs of Separation, which it performed with mezzo-soprano J’Nai Bridges, broadcast live from the Concert Hall on Medici.tv in the 2022–2023 season. The NSO will perform Simon’s next orchestral commission, Wake Up! Concerto for Orchestra, at the Kennedy Center on January 25–27, 2024. The NSO will also present this work on its 2024 Europe Tour in February. Simon will join the Orchestra on tour in Berlin, Milan, and Madrid for the European premiere performances. In addition to his compositions, Simon has also mentored students in the National Symphony Orchestra’s annual Summer Music Institute—a summer training program for high school and college instrumentalists across the country interested in pursuing a career as a professional musician.

Recording Release Schedule
National Symphony Orchestra will release four of Carlos Simon’s orchestral works, all recorded live in concert in the Kennedy Center Concert Hall with the NSO and led by Music Director Gianandrea Noseda. This is the first full-length record of Simon’s orchestral works. The release schedule is as follows:  
Tales—A Folklore Symphony: digital release on January 26, pre-order on January 5  
The Block: digital release on March 8  
Songs of Separation: digital release on May 31, pre-order on May 17  
Wake Up! Concerto for Orchestra: digital release in early fall 2024

Four Symphonic Works continues the legacy of the NSO’s rich recording history, which began in the 1940s.  

Other Artistic Highlights
• Simon wrote the theme music for the Kennedy Center Honors (2022 and 2023) and the Kennedy Center’s series on PBS, NEXT at the Kennedy Center.  
• Simon composed music for a new dance, From Other Suns, featuring 11 black dancers from historically white ballet companies as part of the Kennedy Center’s Reframing the Narrative.